Selected Criticism:

 

Performance_Ritual_Document. Anne Marsh, 2014

 

Blood/Breath/e/Bone,  Unsettling Suite catalogue essay by Brenda L Croft

What is Performance Art? Ed. Adam Gecszy, (forthcoming)

 

 

Press Archive

 

The Fragmented Body in Bean's "m/other/untitled (II)", Benjamin Sebastian's "3 Cycles of Otherness" and Sarah-Jane Norman's "Bone Library", Venice International Performance Art Week, by Sandrine Schaeffer

 

A Necessary Transfusion, Kieth Gallasch on Unsettling Suite, Realtime issue 114

 

Risk Yields New Forces, Jana Perkovic on Blakwave/Concerto No. 3, Realtime issue 121 

 

Songs of Rapture and Torture #1 (Surabaya Johnny), Joon Lyn Goh,  This Is Tomorrow, October 2013

 

Concerto No. 3,  Rowan Lear, This Is Tomorrow, October 2014

 

Next Wave/Bone library, Harun Morrison, This Is Tomorrow, July 2012

 

Bone Library, Alexandra Kua, in Right Now: Human Rights in Australia, June 2012

 

Oblique Ethnicities Osunwunmi on Take This, For It Is My Body, Realtime, December 2012

 

Up-Close and Personal: Introducing Intimate Theatre, Neva Grant on Rest Area, National Public Radio 

 

 

 

Selected articles and texts by the artist:

 

On performance art and ritual practice, Dancehouse Diary, September 2014

 

Blood is Such Clever Stuff: on Take this, for it is my body,  Realtime, Issue 111, 2011

 

A quantitative theory of intimacy: on thresholds, flesh and sacred mathematics, POINT Journal, 2011

 

National Association for the Visual Arts Quarterly, Artist's Profile.

 

Notes on Bone Library, companion text to the work

 

Notes on the Concerto, companion text to Concerto No. 3

 

 

Cover, Das Super Paper issue 11, photo by Christa Holka

Cover, Realtime Issue 111, photo: Penelope Benton