Selected Criticism:


Performance_Ritual_Document. Anne Marsh, 2014


Blood/Breath/e/Bone,  Unsettling Suite catalogue essay by Brenda L Croft

What is Performance Art? Ed. Adam Gecszy, (forthcoming)



Press Archive


The Fragmented Body in Bean's "m/other/untitled (II)", Benjamin Sebastian's "3 Cycles of Otherness" and Sarah-Jane Norman's "Bone Library", Venice International Performance Art Week, by Sandrine Schaeffer


A Necessary Transfusion, Kieth Gallasch on Unsettling Suite, Realtime issue 114


Risk Yields New Forces, Jana Perkovic on Blakwave/Concerto No. 3, Realtime issue 121 


Songs of Rapture and Torture #1 (Surabaya Johnny), Joon Lyn Goh,  This Is Tomorrow, October 2013


Concerto No. 3,  Rowan Lear, This Is Tomorrow, October 2014


Next Wave/Bone library, Harun Morrison, This Is Tomorrow, July 2012


Bone Library, Alexandra Kua, in Right Now: Human Rights in Australia, June 2012


Oblique Ethnicities Osunwunmi on Take This, For It Is My Body, Realtime, December 2012


Up-Close and Personal: Introducing Intimate Theatre, Neva Grant on Rest Area, National Public Radio 




Selected articles and texts by the artist:


On performance art and ritual practice, Dancehouse Diary, September 2014


Blood is Such Clever Stuff: on Take this, for it is my body,  Realtime, Issue 111, 2011


A quantitative theory of intimacy: on thresholds, flesh and sacred mathematics, POINT Journal, 2011


National Association for the Visual Arts Quarterly, Artist's Profile.


Notes on Bone Library, companion text to the work


Notes on the Concerto, companion text to Concerto No. 3



Cover, Das Super Paper issue 11, photo by Christa Holka

Cover, Realtime Issue 111, photo: Penelope Benton