Selected Criticism:
Performance_Ritual_Document. Anne Marsh, 2014
Blood/Breath/e/Bone, Unsettling Suite catalogue essay by Brenda L Croft
What is Performance Art? Ed. Adam Gecszy, (forthcoming)
Press Archive
The Fragmented Body in Bean's "m/other/untitled (II)", Benjamin Sebastian's "3 Cycles of Otherness" and Sarah-Jane Norman's "Bone Library", Venice International Performance Art Week, by Sandrine Schaeffer
A Necessary Transfusion, Kieth Gallasch on Unsettling Suite, Realtime issue 114
Risk Yields New Forces, Jana Perkovic on Blakwave/Concerto No. 3, Realtime issue 121
Songs of Rapture and Torture #1 (Surabaya Johnny), Joon Lyn Goh, This Is Tomorrow, October 2013
Concerto No. 3, Rowan Lear, This Is Tomorrow, October 2014
Next Wave/Bone library, Harun Morrison, This Is Tomorrow, July 2012
Bone Library, Alexandra Kua, in Right Now: Human Rights in Australia, June 2012
Oblique Ethnicities Osunwunmi on Take This, For It Is My Body, Realtime, December 2012
Up-Close and Personal: Introducing Intimate Theatre, Neva Grant on Rest Area, National Public Radio
Selected articles and texts by the artist:
On performance art and ritual practice, Dancehouse Diary, September 2014
Blood is Such Clever Stuff: on Take this, for it is my body, Realtime, Issue 111, 2011
A quantitative theory of intimacy: on thresholds, flesh and sacred mathematics, POINT Journal, 2011
National Association for the Visual Arts Quarterly, Artist's Profile.
Notes on Bone Library, companion text to the work
Notes on the Concerto, companion text to Concerto No. 3
